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The Good Dark is translated into Ukranian

October 11, 2018

Krok Books in Ukraine published a translation of The Good Dark. It’s the first book of mine to be fully translated.

Thanks are due to the publisher for bringing this into the world, Natalia Semenov for the translations & Publishing Scotland for the vital support of Scottish literature in translation.

With funding from Creative Scotland, I visited the L’viv Book Forum in September for the official launch.
Copies can be purchased from Krok books here.

Southern Crossings Tour Diary – Sunday, 23 August – Day 1

August 25, 2015

Changi Airport – Singapore: 18.04

It is a common thing, before a big trip, for people to ask – ‘are you excited for Australia?’

My response is always the same, ‘No. But I will be when I get there.’ I don’t tend to ‘look forward’ in that way, to dream of how good something or someplace will be. I don’t check the weather. I do not buy a Lonely Planet.

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Managing Expectations @ Changi Airport

I’m sure I’m not the only one who manages expectations in this way. Surely there are people who won’t read reviews before seeing the film.

However, my friends David Stavanger & Annie Te Whiu (co-directors of this year’s Queensland Poetry Festival) suggested I write a blog, maybe telling people how excited I am to be part of the Scottish cohort heading to QPF this year.

Well, as I said, I don’t get excited before things but I’m 99% sure to be excitedly drinking with them after the gig. And, honestly, performance artist MacGillivray & my old friend William Letford have consistently delivered performances which live inside me. It is a semi-eclectic bill – the three of us – but one that speaks to the programmers’ attraction to poems which are crafted and can exist on the page but also to poets who know how to read and perform their work, who are willing to collaborate & experiment with music, noise, voice to create something unique for the live audience. Together, we’re going to try to do that.

18.23 – Poets are the new whalers

Being in this airport so far from both my Scottish & American homes reminds me of something Jane Hirshfield once quipped to me – ‘poets are the new whalers’ – she emailed as we kept almost being in the same city at the same time a few years back.

There’s not much money or fame in our line of work but man, she was right, some of us lucky ones get to criss-cross the globe. I’ve been to Lebanon & Iraq with Letford, seen David Stavanger in Edinburgh, St Andrews and Brisbane and after this jaunt MacGillivray is flying straight to LA for more gigs.

The worrying thought occurs that maybe we’re not the whalers but the whales. Or maybe the great poem is the whale, the impossible, illusive, destructive thing that we (as writers) chase along with audiences (as readers) – both of us Ahab. Manically, scanning the seas for that brilliant white one.

18.45 – I Never Really Left

I sat down with a Laksa soup and realized I still had my Edinburgh International Book Festival lanyard in my back pocket.

Laksa & Lanyard

Laksa & Lanyard

I think I’ll keep it with me as I go from the Melbourne Writers Festival to the Queensland Poetry Festival. It will remind me of the conversations had in Edinburgh with Mexican poets & writers, with critics, with Sami & Inuit poets, with author musicians like John Darnielle and almost certainly the threads will continue, a global conversation, a global village.

Some Threads in My Head

— The visiting Mexican poet Monica de la Torre said that writing the poem is as important as the poem, that the act of writing is a learning process, that she doesn’t know what she wants to say when she starts and the act of writing is the act of discovery (paraphrasing from memory here, sorry Monica). It was a heartening idea to hear articulated in front of a crowd and I wonder, if I like the writers who have a process which is similar to mine,  who are not making an argument but are charting a journey to an argument? And is that fair to the writers who don’t write that way — who start with an argument and work towards it?

— Would intellectualsnob.com be a good website? Am I an intellectual snob? Or, as the writer & critic Stuart Kelly said, do I believe in an ‘elitism for all’? 

— Is performance poetry / slam poetry / spoken word a capitalist construct because it monitizes poetry via crowd pleasing activities? (as suggested in The Guardian comments section, here) Or, more generously, is it populist and speaking to ‘the people’?

— David Stavanger, Mr Ghostboy, who himself straddles the twin stallions of both page poetry & spoken word will have something to say about this, no doubt. It is reflected in his programming & of course in his work of which there is much I admire. I surprise myself by sincerely looking forward to that conversation. I suspect he will say what I know deep down — that good is good & bad is bad and labels, like flags, are stupid.

— I think to myself, ‘Language does more than order a cup of coffee. Language does more than ‘communicate’ on the most obvious level. Language does more than say, ‘2 dollars fifty cents, thank you’. The visiting Mexican poet, Gabriela Jauregui, said something along the lines that poetry / language diverts the ‘transactional’, and also that poetry can overcome the language of (what she called) ‘necrocapitalism’ in Mexico.

 — Jessie Kleeman pushed language far out in her hypnotic & moving Jura Unbound performance as part of Highlight Arts‘ ‘Head North, My Friend‘. At one point she asked, ‘what will we do without dogs when the ice melts? Build factories to turn them into food?’ Ouch.

— Highlight Arts‘ ‘Head North, My Friend‘ took place on the day President Obama gave permission for Shell to drill in the Arctic.

— This classic clip from Orson Welles’ The Third Man has been going around my head thanks to the visiting Mexican journalist Juan Villoro.

 

— Does making art require suffering, violence, blood? If you had the choice, would you want to be Switzerland or Italy? I was glad I got to ask that of John Darnielle &  Gavin Extence who both have suffered & seen suffering first hand.

 

 

18.55 – I Better Go Now

I think my flight is boarding and this airport is big. I’m also mildly curious about ‘how to become a Changhi Airport Millionaire’ – would that be a millionaire only in the confines of this airport. Like The Terminal but with Donald Trump as Tom Hanks?

I’ll be performing with William Letford & MacGillivary at The Toff in Town, Melbourne. Wednesday 26 August
We’ll be joining the Queensland Poetry Festival on Thursday the 27th. Check the listings here.
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With grateful acknowledgement to Creative Scotland for financial assistance.
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Reel Iraq: Golden Hour at the EIBF

August 2, 2013

On Monday 19 August the Reel Iraq team of Scottish and Iraqi poets and artists are part of the Edinburgh International Book Festival’s Unbound series. We’re showing off some of the best work from both countries, plus some of our collaborations and translations. It’s going to be a really special night, hope to see you there.

Reel Iraq: The Golden Hour

Monday 19 August, 9-11pm (FREE)

Revel in a special evening of contemporary Iraqi culture, to mark ten years since the invasion of Iraq, with poetry, theatre and music. Featuring acclaimed Iraqi poets Sabreen Kadhim (coming direct from Baghdad) and Ghareeb Iskander, accompanied by new translations from renowned Scotland-based poets Krystelle Bamford, John Glenday, Jen Hadfield and William Letford; compelling theatre from Dina Moussawi and Iraqi Choobi dance music. This event is supported in part by Creative Scotland and LIFT Festival.

What: Reel Iraq: The Golden Hour

Where: The Guardian Spiegeltent, Charlotte Square, Edinburgh

When: Monday 19 August, 9-11pm

How Much: FREE.

 

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