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Ryan and the Red Room Return for the Forest Fringe

July 12, 2016

I’ll be giving one-to-one poetry readings in Red, Like Our Room Used to Feel at this year’s Forest Fringe. A new show starts every 20 minutes, eighteen shows every day, from Tuesday 16 – Saturday 20 August. Hope to see you there.

Red, Like Our Room Used To Feel
Tue 16 – Sat 20 August, 12noon-3pm; 4pm-7pm, every 20 minutes.

An intimate one-to-one poetry performance from Ryan Van Winkle. An audio voyage featuring ambient melodies from Ragland. An installation with paintings, photographs and ephemera from a host of artists. A little space to listen. Joy, memory and loss condensed into 15 minutes.

A red room to lay down in with a free cup of port or tea and as many biscuits as you like.

‘Intimate and haunting’ (Lyn Gardner, Guardian)

‘Simple, yearning and effective’ (Andrzej Lukowski, Time Out)

Ryan Van Winkle – is a working poet. His second collection, “The Good Dark”, won the Saltire Society’s 2015 Poetry Book of the Year award. He was awarded a Robert Louis Stevenson fellowship in 2012 and a residency at The Studios of Key West in 2016.
 
Ragland – is an island of musical adventures where musical adventurist Gareth Warner has found himself shipwrecked.

Red, Like Our Room is Longlisted for the Soundout! Prize

May 8, 2014

It’s a total pleasure and privilege to announce that Red, Like Our Room Used to Feel has been longlisted for the Soundout! Prize as part of the International Literature Festival in Berlin.

Bronwyn Lovell Reviews Red, Like Our Room Used to Feel

December 27, 2013

Red, Like Our Room Used to Feel had a terrific run at the Melbourne Fringe Festival, and the poet Bronwyn Lovell wrote a really engaged and deep review of the show for Australian Poetry. Have a read if you’re interested in a really thoughtful point of view.

Ryan Spends the New Year at Woodford Folk Festival

December 7, 2013

This New Year season I’ll be taking Red, Like Our Room Used to Feel to sunny Australia for the Woodford Folk Festival! It will be warm, nay, HOT, it will be in a tent, it will be the festive season like you’ve never seen it.

We’re performing in Artisania from Friday 27 Dec – Wed 1 Jan, and on New Year’s Day 2014, enjoy a final feeding word frenzy with this post-NYE bain marie including the tender poetry wings of yours truly, the black pudding of punk-folk Billy Liar, and the sweet alphabet soup of Lady Rose. MC Ghostboy. It would be excellent if you came and joined us.

Enjoy a rare, intimate, one-on-one poetry reading with poet Ryan Van Winkle. Hide away in a cosy bed-sit, among trinkets, ephemera, artworks and an original score. Select your poems, lay back, make yourself at home, enjoy a snifter of port or a spot of Earl Grey, and drink in the specially created atmosphere.

Ryan on The Guardian’s Brisbane Festival Podcast

September 20, 2013

Very pleased to be part of The Guardian’s second podcast for the Brisbane Festival! Red, Like Our Room Used to Feel is part of the Festival’s Basement Late Night series, it would be lovely to see you there. Print

Red Like Our Room Used to Feel at the Melbourne Fringe

September 16, 2013

On Friday 20 September Red Like Our Room Used to Feel will be making its southern hemisphere début at the Melbourne Fringe Festival. After successful runs at the 2012 Edinburgh Fringe, in the Battersea Arts Centre in December 2012, and most recently at the London Literature Festival at the Southbank Centre, we’re really excited to share the show with a new audience.

An intimate poetry performance from Ryan Van Winkle. An audio voyage featuring ambient melodies from Ragland. An installation with paintings, photographs and ephemera from a host of artists. Joy, memory and loss condensed into fifteen minutes. A red room to lay down in. A cup of tea, a snifter of port, and space to listen.

‘Intimate and haunting’ – The Guardian

‘it might be a landmark production for poetry in performance. If you are at all interested in literature, memory, performance or joy, you must see this show’ ***** – The List

‘Simple, yearning and effective’ **** — Time Out

‘An intimate, emotional experience guaranteed to win over even the most poetry-phobic’ –  The Observer

Tickets can be booked on the Melbourne Fringe site, and are by donation only. Whatever you feel it was worth!

What: Red Like Our Room Used to Feel

When: Melbourne Fringe Festival, 20 September – 5 October, 7-9pm (20 min shows)

Where: Fringe Hub – The Warren, North Melbourne Town Hall, 521 Queensberry St, North Melbourne.

How Much: By Donation.

I’m now taking bookings for the Red Room Melbourne Fringe. If you want to enjoy a free poetry experience just drop me a line and I’ll gladly save you a slot. :::::::: For reservations please email Ryan: ramvanwin@gmail.com; subject line ‘Booking for Red Room’. In the email please write two preferred dates/times if possible. Bookings can be made up until 2pm on the day of the performance.

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Red Room at the London Lit Festival

June 20, 2013

Thanks to all who came out to see Red, Like Our Room Used to Feel on our two-day stint at the London Lit Festival in the Southbank Centre. If you couldn’t make it, come visit Red Room at the Melbourne Fringe this September! And if you’re not in the Antipodes this autumn, perhaps take a moment to enjoy this short trailer. Filmed at the Battersea Arts Centre in December 2012 by Luke Flemming.

Thanks to all who made this a success, and see you on the road again soon.

Ryan is Observed

May 14, 2013

In advance of my show at the London Literature Festival, there was a little interview (and big picture) of me in the Sunday Observer Magazine. Come see me for a glass of port and some poems while I’m in London 31 May – 1 June.

Kind Words for Red, Like Our Room Used to Feel at BAC

March 20, 2013

My one-man poetry experiment Red, Like Our Room Used to Feel got even more generous reviews during its short run at the Battersea Arts Centre. Here’s further proof that people are lovely and say words about things.

OneStopArts.com: **** ‘There is something about curating a room and condensing an experience into a tight fifteen minutes that is like writing a poem, choosing a form and filling it with images. […] Red, Like Our Room Used To Feel offers a unique way of experiencing poetry, together with a unique perspective on another person’s life. I will certainly be going back to find out what’s in the other envelopes.’ – Becky Brewis

LoveTheatre.net: ‘This is poetry made fluttering and ephemeral, rapidly dissipating into the warm air and attaching itself to objects and thoughts. Much of this is achieved by the gentle presence of Ryan himself, whose voice lulls and cradles, sending the mind on journeys. […] I was also struck by how the piece somehow manages to be both intensely personal and overwhelmingly generous. It is as though, by indulging in this space of imagination and memory, Ryan offers us the room – in more than one way – to traverse our own imaginings and reminiscences.’ – Catherine Love

The Stone and the Star: ‘It was all rather magical. I’m a bit at a loss as to how to describe it, especially without giving everything away, but even if I described it in minutest detail I couldn’t really convey the sense of comfort and nostalgia. It was certainly one of the most unique poetry experiences I have ever had, if not one of the most unique experiences full stop.’ – Clarissa Ackroyd

And keep your eyes open — the Red Room will be returning to London at the end of May as part of the London Literature Festival. Fingers crossed, I’ll see you there! For previous reviews click along here.

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